I’m so thrilled to present this interview with Johnny Joo, a fellow Northeast Ohio native, whose photography* I’ve featured at the blog before. But this time, we get the stories behind the lens…
Johnny Joo is an internationally accredited artist, most notably recognized for his photography of abandoned architecture and surrealistic digital compositions. Growing up sandwiched between the urban cityscape of Cleveland and boundless fields of rural Northeast Ohio provided Johnny with a front row ticket to a specialized cycle of abandonment, destruction, and nature’s reclamation of countless structures. Since he started, his art has expanded, including the publication of four books, music, spoken word poetry, art installations, and videography.
Johnny, how did you first get into photography–and abandonment photography in particular?
I was an art student in high school, and photography was another art class I could take, so I took it to fill space with as much art stuff as I could–not thinking that I would like it as much as I did. I got super interested in the whole science behind it and being able to capture a moment in time that would not happen again. For one of the first projects, I photographed some empty rooms in the high school, and also photographed an old farm house. It reminded me of Silent Hill and other horror games and movies I enjoyed.
I thought it was a great subject for photos, and I loved the way nature wore it down to create something so dark and eerie, yet calm and beautiful. That’s the film photo of the empty class room [above]. I gave the rest of my film and binder to my photography teacher, so I don’t have anything else, but I did keep my favorite photo–and it’s the first photo I developed successfully.
I just kept photographing any abandoned or creepy historic place I could find (along with EVERYTHING else) and started sifting through papers in some of the old buildings and found so much history left behind.
I thought it was interesting to piece a life and history together–being able to know so much without ever having known any of the people beforehand.