Sport in the Art of Place

I went for the art of the place: the earthy poetry and fiction borne by writers tied to the ever-evolving American Rust Belt, which has seen its share of glories and struggles, stemming from the rise and fall of mining and heavy industry.

And, I admit, I fretted just a little bit about what to wear. Stay with me…I haven’t gone all fashion blog on you.

No surprise that among the students of creative writing, the authors, editors, publishers, and poets attending the literary conference–there were ensembles of black, a poet skirt or two, and a pair of cat face-festooned flats (for real; they were fabulous shoes).

There was also a Browns cap. Yep, those Browns. The NFL team that went win-less last year (after which the people of Cleveland held a perfect-season parade).

At the sight of that beautiful brown and orange hat at a literary festival, I knew I’d found my people.

It got me to thinking, if you Venn diagram a place (and this is as math-y as I get), how much overlap is there between the place’s art and the place’s sport? Let’s think on that a minute, while I take you with me on another trip.

Earlier this month, as the fall foliage reached its peak color, my family visited the lovely village of Cooperstown, New York.

 

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At Cooperstown’s Farmers’ Museum’s 19th-century Historic Village, a lovely way to spend an afternoon with the kids

For its small size, Cooperstown is a place with impressive arts offerings, but it is known far and wide for being the home of the National Baseball Hall of Fame and Museum.

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My interview with FURNISHING ETERNITY author David Giffels

David Giffels is the author of Furnishing Eternity: A Father, a Son, a Coffin, and a Measure of Life, published by Scribner in 2018.

“…when he enlisted his eighty-one-year-old dad to help him with the unusual project of building his own casket, [Giffels] thought of it mostly as an opportunity to sharpen his woodworking skills and to spend time together. But life, as it usually does, had other plans.” (From the book jacket copy.)

Giffels’s father, Thomas Giffels, passed away three days after this book on loss and grief was released. “The book is so much about him, and mortality, and thinking about aging parents and all these themes that were directly connected to him,” said the author, who spoke with me earlier this month.

Furnishing Eternity continues the Akron, Ohio, author’s award-winning literary career. Giffels’s previous books include The Hard Way on Purpose: Essays and Dispatches From the Rust Belt and All the Way Home: Building a Family in a Falling-Down House, his first memoir. He teaches creative nonfiction in the Northeast Ohio Master of Fine Arts Program.

David–place figured majorly in your last book, The Hard Way on Purpose. How does place figure into Furnishing Eternity?

My last book was about place in a regional, communal kind of way, a place I share with a lot of people—the Rust Belt and the industrial Midwest. I think about Furnishing Eternity as being about place in a different way. It’s a much more personal book, but I identify the place of my father’s barn and workshop very directly with him. That’s where his true nature was. It’s where I communicated with him the best. The much more intimate spaces of his barn and workshop are central to this story.

In Furnishing Eternity, you experience the death of your mother and your best friend, John. I read that much in the sections about your grieving those losses began as journal entries. Can you talk about how you progressed from journal-writing to essay-writing?

This book was different, because I knew I was going to be living things as I was writing about them, which is closer to journalism than it is to memoir. So I was already doing a lot of note-taking about the process of building a casket and about spending time with my father. I was careful with my note-taking, to record things as they were happening, knowing they would be in the writing. When my mom died, unexpectedly, and John died—that note-taking became less of a literary process and more of a personal process.

The writing involved working from raw notes that were sometimes painful to read, that I took, day by day, aware that that material would be part of what I was writing for the book and aware that I was also recording my emotional life. That’s hard material to work from. It was so raw, so immediate, and so chaotic. When you grieve someone it can be a violent and unpredictable process, and writing requires stepping back and seeing the shape of things. I was trying to do that on the fly, so it took a lot of drafts and a lot of trying to distance myself. The process was different from anything I’d done as a writer. When I wrote All the Way Home, it was ten years after the events and I had settled a narrative in my head. I could see things with objective distance that made it a much different writing experience. It’s easier to regain the immediacy of something that’s in the near distant past than it is to step away from the immediacy of something ongoing.

Joan Didion’s The Year of Magical Thinking was vital to that process; not just the process of writing—she’s writing about writing about grief—but also the process of grieving. I had avoided reading the book while I was writing Furnishing Eternity, because I didn’t want my writing to be influenced by it. But when my mom died I knew I had to read that book to help me with the process of grieving my mother. Didion was vital to my personal loss and my ability to write about it.

Do you journal much, regularly?

Not very much. Spending many years as a journalist has made me much more workman-like as a writer. I have journaled at various times, but to me, writing is getting down to work and doing it when it needs to be done. I think in banker’s hours. Once I’m working on a project, it’s all-consuming. I’m always taking notes. When you’re working on a writing project, you become a selective magnet, like all of a sudden everything in the world is being tested to see whether it’s going to be drawn to your subject. If it is, it comes flying at you and sticks. I’ll hear or see something and think, I have to write that down right away. That’s urgent journaling, I guess. Read more

You’re the tops! (A shameless Top 3)

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Who doesn’t love a “Top”  list?

Top 3. Top 10. Top 100. We attach ourselves to the superlative and feel tops–if only for a moment. And that almighty numeral: even an English major gets to feel like a statistician.

So, without further ado…

A Rust Belt Girl Top 3 (according to you)

with related recommended viewing for the new year:

Number 3: A blog is born, my first-ever post, covered my rationale for starting this blog. (Among my reasons: an online search for “female and Rust Belt” turned up rust-colored ladies’ belts for sale by JCPenny.) For those of you who made it to post two, thank you!

Number 2: Life in Lima and more–from Intensity Without Mastery’s Michelle Cole (along with the second installment) featured a collaboration with the photographer and blogger with an honest eye for life and art in the Rust Belt. (Bonus points for pronouncing “Lima” correctly!) Look for more collaborations in the blogosphere in 2018.

(And, drum roll, please…)

Number 1: The big kahuna, the winner of the most views goes to my Interview with award-winning Akron, Ohio, author and journalist David Giffels, who answered all of my pressing questions about his books–including Furnishing Eternity coming out January 2–along with his teaching, his hometown, and even Lebron. Be on the lookout for another conversation right here with David on his latest memoir early in the new year.

Until then, may your days be merry and bright and your New Year’s celebrations be tops…

Happy 2018!

~ Rebecca

 

 

 

 

 

Interview with award-winning author and journalist David Giffels

David Giffels headshot 2017

We are where we come from—and where we choose to make our home. For David Giffels, that’s one in the same: Akron, Ohio, Rubber Capital of the World, where he grew up and now lives, teaches, and writes. The Hard Way on Purpose: Essays and Dispatches From the Rust Belt (2014) is his fourth book, following his 2008 memoir, All the Way Home: Building a Family in a Falling-Down House. His new memoir, Furnishing Eternity, came out January 2, and I will be talking with David about it soon, right here!

In 2017, I spoke with David about Northeast Ohio’s brand of funny, fellow Akron native Lebron James, why the hard way is the best way, his latest book—and more.

David — In The Hard Way on Purpose, you use humor to great effect. You call Akron “the Ralph Malph of the American industrial belt.” With your identity so closely tied to the place, when the place gets beaten up—nearby Cleveland is “the mistake on the Lake” to many still—do you take it personally? Do you deflect with humor?

It’s part of the culture here to laugh at ourselves. When you’re in any culture that’s been misunderstood, degraded, or used as the punchline to a joke, one of your defense mechanisms is to get to the punchline, first. Most Rust Belt cities—but especially this area—have a long tradition of this kind of humor. Here, a lot of people have traced it back to Ghoulardi, a 60s late-night B-movie horror host on local TV. He had this dark, ironic, anti-authoritarian sense of humor that influenced a lot of the people who’ve become our local cultural spokes-heroes: bands Devo, The Cramps, and Pere Ubu; and filmmaker Jim Jarmusch. There’s a certain kind of homeliness to where we live, and instead of being ashamed of it, you can make fun of it—and be a part of it, too.

How did you learn to write funny?

I guess it partly comes from having two parents who had really good senses of humor. I don’t know if I learned how to do it. One of my first professional jobs was writing for MTV’s Beavis and Butthead. I learned a lot from that. I talk about this in my new book: I was writing these clever-sounding lines, but it was not working. I was trying to be the Noel Coward of MTV. And show creator Mike Judge said, “Just make it stupid.” It was a great piece of advice. A lot of humor writing comes from letting down your guard, letting things roll.

the hard way on purpose cover-1

You were a newspaper columnist before becoming a professor of creative writing and an author, and you wrote about Cleveland sports teams. One of the essays in The Hard Way on Purpose focuses on fellow Akron native, Lebron James. I have to ask, how do you like Lebron now? Read more