Lit Fest Lowdown: 2020 highlights

Last year’s festival dinner view.

This year has been (among other things) one giant exercise in imagining. Imagine this is a regular writing workshop. Imagine enjoying this poetry reading in an art gallery (instead of in your bathrobe). Imagine actual happy hour. But if we writers are good at anything, it’s imagining.

So, it shouldn’t have been a surprise that my favorite literary festival, the literary highlight of my year, the 2020 Fall Literary Festival hosted by Lit Youngstown (Ohio), was a great remote success. I was incredibly impressed at the quality of the craft workshops, readings, and community spirit–even from a few hundred miles away.

From the festival description, “This year’s conference [was] centered around the theme In Many Tongues, a conversation bringing together writing and publishing, literary inclusion, translating and translation…and the generational, political, ecological, and experimental elements that add to the wider literary conversation.” Whew!

If only I could have attended each and every session, heard each and every voice. But, there is only one of me, so I picked and chose from the many literary offerings. Here, I’m happy to provide highlights in the hopes I whet your appetite for next year’s festival–or a literary event in one of your favorite places in the world:

Jacqueline Marino, who edited two anthologies focused on the stories of Youngstown, Ohio, titled Car Bombs to Cookie Tables, taught a craft workshop, Write Your Rust Belt Story. You know I was there. The journalism professor and writer talked about crafting place in our stories, establishing voice, and finding the moment of connection in a piece. With a little free-writing, I started on a piece about my own Ohio hometown.

David Giffels was this year’s keynote speaker. In his talk, “Thank you Cleveland Good Night: How the reluctant writer becomes a performer,” Giffels shared his own personal story–from a shy, bookish kid to a newspaper columnist to the award-winning author and essayist–and spectacular storyteller–he is today. His latest book, Barnstorming Ohio: To Understand America is an on-the-ground look at Ohio and its people and place in American politics. For the first time, Giffels narrated his own audio book, and he related ideas of (actual) voice and (literary) voice. You write “the way you wish you could talk,” he said. And, as for writing about place, he recommended looking for what’s odd about your spot. Further, explore “a question you know you can’t answer.” (Oh, so many questions.)

Writer Quincy Flowers’ craft talk, On Polyphony: Writing a Novel and Making Meaning in Dialogue with Others discussed incorporating texts, including historical and para-texts, along with documents real and imagined, into our fiction. For this historical fiction writer, Flowers gave me a lot to think about, including, when does historical invention cross the line into untruth… and why haven’t I read more Percival Everett?

Dr. Ken Schneck, an author, editor, and professor of education, led a session called Shameless Self Promotion, which focused on helping us writers market our work–and ourselves–to build our audience for our books, journals, or even (ahem) blogs. Top takeaways: writers need a thing to market (not themselves) and a measurable goal; writers need to know who’s doing the kinds of writing we’re doing (our “comp” writers); and writers need not shy away from self promotion. Most helpful: Schneck’s discussion on the importance of our “elevator pitch.” You know, the succinct, pithy answer to “What do you do?” (I’ll share mine in the comments.) This talk also inspired me to update my About page at this blog–let me know what you think.

Fiction writer, playwright, and teacher Toni Thayer led a session called Finding your Voice in the Voices of Others, in which she urged us participants to carefully consider short pieces by “a diverse range of writers to fuel playful, creative imitation, with the end result of expanding one’s own style.” I studied a poem by Ohio poet Hanif Abdurraqib, in which music dictates the sound and the meaning of the piece–and applied some song to a WIP of my own. Refining your own voice through imitation is such great exercise!

Keynote speaker David Giffels talked shop in Relatively Speaking: Writing about Family in Personal Essays and Memoirs, and I’m happy to share some of the best tips for my writer friends here. What’s tough about writing about family, said Giffels, is we know too much. And also too little. Our own memory of an event is only the beginning. What comes next? Research. Interview family members to get their take; research events on YouTube; refresh your memory through photos and artifacts and by revisiting the place. But the bottom line in how NOT to get in trouble when writing about family, Giffels said: “empathy is everything.”

And there was so much more literary goodness over the 2+ day festival–even a happy hour.

Have you attended a literary festival or conference in this age of Zoom? What was the highlight? Any tips to share? Do you write about family on your blog or elsewhere? How do you avoid the pitfalls while telling your story? Do you have an elevator pitch at the ready, when people ask, what do you write about, what do you blog about?

Interested in Rust Belt author interviews, book reviews, essays, and more? Check out my categories, above. Are we social? Find me at FB and on Twitter and IG @MoonRuark

Are you a Rust Belt writer or poet interested in doing a guest spot at this blog? My more than 1,500 followers love to discover new voices. Let’s connect!

Don’t forget to stretch: A lit fest rundown…with not-pro tips

Nope. Not a churchy post. Hang tight, folks.*

It’s festival season around here. Whether that means discovering just the right pumpkin, a new lager, or a better, more flexible version of your writing self, don’t forget to stretch (more on that in a bit).

Earlier this month, I headed to Youngstown, Ohio, for the third annual Lit Youngstown Fall Literary Festival held on the YSU campus. Here’s a rundown, plus tips, and–of course–a list of the autographed books I lugged home! (First, shout-out to my cousin, Theresa and her husband, Steven, who kindly fed me homemade pizza and put me up for the night along my way through PA.)

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3 Reasons to Connect with Your Creative Community; 3 Words of Thanks; 3 Inspiring Writers

The writing life is often, necessarily, an isolated one. To create a world on paper (or screen) takes holing ourselves up, cutting ourselves off from the myriad distractions of modern life.

For our writing to matter to anyone outside our own heads, however, we must connect.

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3 good reasons to connect with your creative community:

To find readers: Not surprisingly, most of the followers of this blog are other bloggers; the readers of my short fiction are other writers. You will find readers in writers, and v.v.

To research that next WIP: Let’s not research entirely online (pleads this former college composition instructor). Speaking of research, heartfelt Kiiitos paljon (Thanks a lot!) to all the wonderful folks at the Finnish Heritage Museum and to Lasse Hiltunen, president, in particular for the wonderful tour and background information on everything Finnish! (If you ever find yourself near Fairport Harbor, Ohio, don’t miss this gem of a museum.) Lesson-learned: take your research on-site, when you can.

 

To gain inspiration: How inspiring is that library carrel? As delightful as isolation can be, even the most introverted writer needs to get “out there” once in a while.

While online writing communities and critique groups, library databases and catalogues have been invaluable to my perspective, there’s no substitute for the in-the-flesh writing community.

I’m a writer interested in exploring place, specifically the U.S. Rust Belt (more specifically, Ohio), and yet I no longer live in that place. No, the irony isn’t lost on me. It’s one of the reasons I started this blog–to connect with readers and writers and photographers in my native place.

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But virtual connection is not enough. Sometimes one has to be boots-on-the-ground there. And so, after some preparation to make the most of the conference, I drove my proverbial boots the five-and-a-half hours to attend Lit Youngstown’s 2nd Annual Literary Festival this past weekend. 3 inspiring festival highlights–not just to plug this literary festival (but do come next year, if you’re in the area; I plan to) but every and all such excuses to communally share our stories:

Dave Lucas, Ohio Poet Laureate and author of Weather: Poems, presented a piece about the mythic in poetry for an audience of fiction writers, creative nonfiction writers, and poets. (Poetry not your thing? I get that, and have talked about my on-again-off-again relationship with poetry. But Lucas is all about finding the poetic in the everyday; he talks about that here–from about minute 8 on).

Lesley Nneka Arimah, author of the amazing short story collection What It Means When a Man Falls from the Sky, read a few of her stories and graciously shared a little from her formative years. Arimah told a story about visiting the public library in summer with her sister, where they would each check out the max amount of books–50–and when finished with her tower, trade, and read her sister’s. Sure, Arimah read literature with a capital “L”, she joked; but she also read romance novels and fantasy, and continues to do so today–and her literary short fiction is all the more playful and magical because of it.

Jon Kerstetter, read from his memoir, Crossings: A Doctor-Soldier’s Story, which chronicles a life begun in poverty on the Oneida Reservation in Wisconsin to a life in business before Kerstetter pursued his dream of becoming a physician. When his days as an emergency doctor weren’t proving exciting enough, he volunteered for tours as an emergency military medic. After three tours in Iraq, Kerstetter returned to the U.S., injured, but this was only the start of his stateside struggles, as he suffered a stroke–leading to his reinvention as an author through the writing of his life’s story.

 

Inspiration abounded at this literary conference–and not just from the big names but from the poems and stories bravely shared by writers at all stages at open-mic and in conversation.

Me, I braved the mic to read a flash fiction piece of mine set not far from where we sat, amid the rolling hills and history of Northeastern Ohio. I also took part in a publishing panel to extol the virtues of connecting through traditional and nontraditional publishing, including sites like this blog–when we can’t connect in person.

And today I returned to my writing desk feeling inspired and connected in a meaningful way to the stories of home. Thanks a lot to all who made it happen!

Have you done the conference thing–for writing, blogging, or anything else? What are the benefits to in-the-flesh arts and literary communities?

Are you a Rust Belt author, blogger, or photographer? I’m always looking for stories to share.

 

*Photos from top down are of Youngstown, Ohio, buildings, the Finnish Heritage Museum in Fairport Harbor, and interior shots of St. John’s Episcopal Church in Youngtown, where the Arimah and Kerstetter readings were held.