Just stack ’em up, any which way. Or, spend an hour creating your poem made up of titles you’ve read during the COVID-19 situation. (This doesn’t include my Google books, and does include books that I’m perpetually reading and a journal issue in which my words appear, but you get the picture.)
I didn’t come up with this idea, (shout-out to fellow blogger Lani, for introducing me to Steph @pieladybooks) but I think you can take a bit of license: add an article or two, play with punctuation and line breaks, of course. I went all ee cummings-lowercase, so the capitalization didn’t distract from the meaning. And my apologies to the late Sherwood Anderson, but I couldn’t help myself. Here it is, my poem of isolation reads. How about that near-rhyme at the end, right? Watch out, poets! And go ahead and suggest a title, if you’ve got one.
the heart is a full-wild beast, longing for an absent god
ruminate the everyday: old brown shiner, winesburg
o, find me!
magdalene, the virgin of prince street.
what you become in flight?
a catalog of unabashed gratitude, the book of delights
I’d love to see your poem of isolation reads! Still working on your reading arc–I’d love to see that, too.
I’ve done my best to chart and reflect on my family’s isolation here, even as restrictions begin to ease. Recreational boating is allowed again, so my guys will be back in Aqua Dove, that most glorious dinghy, soon. Maybe I’ll write a poem about it. Maybe not.
Want to read more of my isolation posts? I responded to WordPress Discover Prompts in April!–and you can, too. There’s no such thing as late work in blogging.
The holy water font had brown cardboard over it–a haphazard lid to signal emptiness. The water had been drained from all the fonts at the church entrances but not the baptismal font. Not yet anyway; somebody said there was one baptism after Mass that morning. I saw the baby–rosy-cheeked in his mother’s arms–on my way out of church. My last Mass, maybe for all of Lent. My last time singing with the choir. I haven’t sung a note since, as if doing so would signal that this is the new normal: sad, bad impromptu soprano solos locked in my home office, dressed in my bathrobe, alone.
Gone was the singing in communion, the holy water, the hand-holding, and hand-shaking at the Sign of Peace. The next week, there would be no Mass at all. Should we shake some of our holy water around the house? My husband and I brought bottles home from Knock, Ireland, the only shrine I’ve ever visited, which we did for a day on our honeymoon, in between pubs and church ruins. We may have a bottle around still, though it might have gone moldy. We’ve been married 16 years as of yesterday. We got carry-out to celebrate, our first since we started playing keep-away from everybody we don’t live with, and it was wonderful. Every stranger-interaction–even picking up carry-out at a curb–seems imbued with a little holiness now, or grace, or gratitude in communing, however you like to see it.
Maybe I’d been spoiled by the choir voices around me, the Signs of Peace aplenty, a whole church full of, if not all friends, congregants–the whole of us choosing to be in the same place at the same time, for the same reason, more or less. I try to remember that it only takes two or three gathered in His name, but there is comfort in a crowd. In Longing for an Absent God: Faith and Doubt in Great American Fiction, a title that just keeps feeling more and more prescient, author Nick Ripatrazone says, simply: “Catholicism is a communal faith.”
In his book of essays, Ripatrazone unveils the role of Catholic storytelling in the American literary cannon. He takes the reader from Flannery O’Connor through Andre Dubus to living writers, like Cormac McCarthy, Alice McDermott–and Phil Klay (whom I’ve yet to read)–among others. Raised on the Mass, these writers share some sensibilities: the idea of faith in community, of liturgical seasons–rituals a comfort. Says Ripatrazone, “Catholics raised on a religion of mystery, image, smell, and song are particularly vulnerable to the pull of sentimentality.” Can me sentimental then.
Another modern novelist, Ann Patchett, has credited the Catholic faith for giving her “a boundless capacity for creativity and appreciation for metaphor.” If you’ve ever stepped foot in a Catholic church you can probably see that: everything is imbued with meaning. From Ripatrazone:
Catholicism is an assault on the senses. The thickly sweet smell of incense clouding a church. A finger dipped into the holy water fount; the almost otherworldly touch of it. The feel of a back against the hard pew…The Rise and refrain of hymns…the silence of prayer…the high drama of Lent.
It all means something, more than one thing. And certainly, there’s a performance aspect to the faith that isn’t lost on this Catholic kid raised on church and ballet–pretty much in equal measure. I recently, mistakenly, called the altar “the stage,” and it’s no wonder why. There’s the Mass’s “script,” with its accompanying ritualistic movements–very much body-centered–a reverential dance of signs and postures. There are “costumes” whose colors are filled with meaning. Right now, we’re penitential purple. Are we ever.
Which might be why that piece of ordinary brown cardboard over the drained holy water font bothered me so much–the lack of performance or ritual. Or, preparation. Ritual takes preparation, and none of us had any rehearsals for the effects of this pandemic.
So, my hope today is that we all lean into the rituals that provide us some comfort and connection–even if virtual.
What are you reading? How are you dealing? What rituals are you keeping or instilling in your household as you physically distance yourself from others?
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