In Praise of the Short Story

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These pandemic days feel both interminable and brief all at once. Time both drags and flies by. And even us rabid readers find our towering TBRs just keep growing taller. Anxiety and ennui make it hard to concentrate for long periods of time, making it tough to hold a long story in the imagination.

Short story to the rescue.

I mean, who wants to read one more doomsday article or essay. (OK, I read those, too.) But fiction in pandemic times? Yes, please! Anything to distract from the world on fire. But short fiction? As you might imagine, the novel beats out the short story collection in sales, everywhere. Sure, there are popular short story collections. But, as this Guardian article notes: “Most don’t sell many copies (a debut collection from one of the major publishing houses might have a print run of 3,000, with little expectation of a reprint).” Even when sales of short story collections surge, as they did in 2018, they’ll never beat out the novel.

But right about now might be a good time to revisit the short form. For escape, sure, and for craft–for those of us who write fiction–and also, and maybe most importantly right now, for connection with other readers. One of the most delightful virtual connections I’ve made in these pandemic days is with a book club (hosted by jesuit.org if you’re interested) that meets over at FB. The last book we read was, you guessed it, a short story collection, Night at the Fiestas by Kirstin Valdez Quade, which I highly recommend.

At the moment, I’m reading short stories before bed (“they” say escapism is better for relaxation than, say, a nonfiction book about the plague). I’m still working through short stories by Finnish writer Tove Jansson, which are often just a handful of pages long. They “escape” me to far-away Finland with its woods and lakes, its terrain of moss and lichens that feels foreign and inviting and cool. I save novels for daytime reading: right now that’s Jansson’s Fair Play; and Pete Beatty’s debut novel Cuyahoga, which is a Rust Belt novel if I’ve ever met one, and I plan to discuss it here.

Of course, many short stories birth novels. Valdez Quade’s “The Five Wounds” inspired her to build on that world for her debut novel, The Five Wounds, which will launch in 2021.

Then there are the movies that have grown out of short stories: famously, Shawshank Redemption, based on Stephen King’s novella (OK, not quite as brief as a short story but he’s adapted a lot of those, too): “Rita Hayworth and Shawshank Redemption.” A little more recently, there was Annie Proulx’s story “Brokeback Mountain.” And, then there was “The Curious Case of Benjamin Button,” which was a story by F. Scott Fitzgerald, which inspired a movie that released 86 years later–testament to the lasting power of the short story (or, at least, short stories by masters, like Fitzgerald).

I love a good short story. I love their self-contained quietude. I love the kind of short story where nothing really happens, except an all-important shift in perception or understanding. We readers don’t always need the classical story arc in short fiction (that many of us seem to desire in a novel: inciting incident, rising action, climax, falling action, resolution). A short story can capture a moment, a day, a year, or many years–and the plot doesn’t need to be tied up with a bow.

Take Raymond Carver’s famous story “Cathedral,” probably the story that cemented in college my love for American fiction and my desire to write it. It’s often-anthologized, often found within the same big American Lit 101 tomes as the classic stories by Fitzgerald and Ernest Hemingway, O’Connor and Kate Chopin, and more modern short story masters of the world, like George Saunders, Jhumpa Lahiri, and Amy Hempel. (And it’s totally not how I write, but aspire to.) Let me know what you think of it, if you read it!

Do you read short stories? Write them? What’s your favorite? Need a suggestion for some pandemic escapist short story reading?

Last year, Lit Hub recommended “The 10 Best Short Story Collections of the Decade” and the year before that Esquire recommended some “great literature in small portions” with “15 Short Story Collections Everyone Should Read.”

Thank you to Lorna of Gin & Lemonade, for putting me in a short story frame of mind–and for inspiring this post. Blogging groups are invaluable, for sure.

Happy reading and writing, all–whether short, long, or in between! Want to read a short story of mine? I’ve linked to a few over at my About page.

Interested in Rust Belt author interviews, book reviews, essays, and more? Check out my categories, above. Are we social? Find me at FB and on Twitter and IG @MoonRuark

Are you a Rust Belt writer or poet interested in doing a guest spot at this blog? My more than 1,500 followers love to discover new voices with connections to the American Rust Belt. Let’s connect!

When a journal editor says no more death stories* **

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I submitted “Scooter Kid,” a story about conception (of a couple different kinds)–of creation, chaos, and control. (Spot the nod to Stockard Channing’s character in the 1993 movie, Six Degrees of Separation? Yeah, I’m still a little obsessed.)

Many thanks to Elizabeth Varel, Editor in Chief and Fiction Editor, and all the editors of Parhelion Literary Review for publishing my story in your lovely journal. Alongside my fiction, you’ll find a trove of thought-provoking prose, poetry, and art: right here.

Happy weekend. Happy reading. What’s on tap for you?

Thanks for stopping by!

~Rebecca

*Seriously though, submitting to literary journals? Check those submissions guidelines.

**OK, OK, all stories are death stories.