OK, this is pretty niche. But read on. You will be rewarded with a new puppy pic if you do. (Bribing is the new blogging.)
Avid followers of the ol’ blog will maybe recall me quipping that I plan to be an opera singer in my next life. That’s a quip, and not a promise (or threat), since I don’t really believe in next lives or in my opera-singing chops–unless that next life comes with brand-new designer equipment.
However, just as the world was shutting down with the pandemic, and singers were shutting up, I was getting started. Singing became a passion, rekindled from my youth, that I could pursue with gusto–albeit solo–during an otherwise dreary time. Now, provided the pandemic doesn’t throw yet another wrench in the works, I’m practicing my “Ave Maria” (of the Schubert variety) to sing at a wedding ceremony, next month.
Which got me to thinking of another kind of performance: the creative reading. You know, the poet or writer, so awesome on paper, attempts to translate that awesomeness to the air (of your local art gallery, bookstore, or coffeehouse–machines grinding and screaming in the background). We pull for that poet, we really do. We yearn to feel we are in the presence of confident genius. We want to feel enveloped in that voice and meaning. Something akin to Luciano Pavarotti at a football stadium or Celine Dion in Vegas. We want to feel moved. Yet, so often, we feel the poet’s unease, and we can’t enjoy the performance due to flashbacks from that disastrous middle school talent show when we lip-synced to Milli Vanilli.
Yes, one is public singing and one is public speaking, and I’ve conflated the two. But I’ve found that the big-strokes prep is much the same for both.
And so here you have a list, because lists are comforting in their orderliness–especially during times of trepidation (say, like doing public anything during a pandemic). And you have a list in descending order, which should be all the excitement you need on a Friday, right?
5. Embrace the trepidation. In my experience, talking yourself out of nervousness at performing in public doesn’t work. (God love my mom who used to @ me about meditation before a ballet performance.) Have some Jedi mind tricks that work to psych yourself out of nervousness, please teach me your magic. For me, only practice–singing or reading a piece over and over and over–calms the fear. (And if I’m still terribly fearful, I haven’t practiced enough.)
4. Stand (or sit) up straight, and breathe. I know I sound like your mom. Really, it’s about the lungs and diaphragm and other anatomy-ish stuff. And yes, breathing to sing is different than breathing to live. But I would recommend to anyone who has to speak in public that they try breathing like singers do. And, just as singers concentrate on phrasing, so too should readers–especially poets, where line breaks can make or, ya know, break a piece.
3. Take it slow, and enunciate. In singing, we talk about onset and release, but it’s mostly about starting and stopping the right way. In creative readings, the same careful attention should be paid to enunciation. Of course, once the nerves kick in, we want to race to the finish. Fight the urge! Pretend there’s an accompanist or a metronome, keeping you from speeding up, and be sure you can hear every word you say, so that your audience can, too.
2. Make eye contact. Not like salesman-creepy eye contact. But do look up from your words now and then and into the faces of those lovely people who’ve shown up or logged on–and are missing their latest TV show binge–for your words.
1. Speak up. Are you soft-spoken? Is there background noise at your venue? Ask for a mic. Want to go mic-less, you better see #4. You’re going to need to push that breath to be heard.
Your turn: what are your favorite public speaking or creative reading tips or tricks? What are you reading or writing this week? How’s everything?
Puppy! (Did you think I’d leave you hanging?) Meet Rufus, the dog I never thought I needed. But who could resist? And, now for more bribery, meet me over at FB or at @MoonRuark over at Twitter and IG, for more Rufus and more Rust Belt-ness.
Hankering for Rust Belt author interviews, book reviews, and more? Check out my categories above. I hope you’ll follow me here, if you don’t already, so you never miss a (quite infrequent) post or more unsolicited advice. Thanks! ~Rebecca