American Rust by Philipp Meyer, reviewed.
Ah, America. Rags to riches. Dream fulfilled country, right?
Without spoiling too terribly much, this is not that book. This is not romance.
American Lit. nerd time-out: in his Criticism and Fiction, realist writer of the 1800s, William Dean Howells, argued that a story where “all grows naturally out of character and conditions is the supreme form of fiction.” Down with the sentimentality of romantic fiction! Realism was best suited to express the spirit of America. Then, real got real-er, and naturalist writers like Theodore Dreiser and Jack London showed what happens when natural forces overwhelm us silly humans.
American Rust is real-natural in that way. And I like it. Realism has always appealed to this Rust Belt native for whom romantic lit. often feels at best, false, and at worst, dangerous.
For me, this debut novel’s strengths are in the real and natural way Philipp Meyer’s dark story grows out of the ruinous conditions of its modern Appalachian Pennsylvania setting: post-industry, post steel money, post employment, though still (or again) naturally beautiful.
This is a story of two very different young men from the same place. Isaac is small, awkward, and MIT-smart; Billy is handsome and strong, a former high school football star. One night, the friends get caught up in/perpetrate an act of terrible violence, just as restless Isaac has decided he must head to Stanford to put his genius to work. Post-crime, Isaac makes good on his promise to leave their hometown, and Billy stays. Each man suffers for his decision, Isaac on the road and in train yards where lawlessness reigns, and Billy in prison. The men’s families become entangled in the tragedy, as does the local police chief, Harris, who must weigh his job as a lawman against his love for Billy’s mother, Grace. All suffer in the aftermath of one violent mistake.