[Read in your most guilt-laden “Mom” voice] “Oh, 2020. It’s not that we’re mad; we’re just disappointed and maybe a little sad.”
Scratch that, of course we’re mad, too. But rather than stew, let’s do the old superlative list to close out this dumpster fire year. It was a weird one here at the blog, but I’d say that’s par for the course.
2020 Most Viewed Post (heretofore known as MVP): Violence and Ascendance in Elena Ferrante’s My Brilliant Friend, likely owing to the fact that the popular Italian novelist had a very good year, releasing The Lying Life of Adults in the fall.
2020 Most Liked (you know, the popular girl): On *Not* Writing (with thanks to Stephen King) garnered 112 likes, so it seems I wasn’t the only one who was finding it hard to put pen to paper, this summer.
2020 Surprise Finisher (the scrappy underdog): for being a bummer of a post, The Dead Mom Club…and other lessons in grief got quite a bit of traction (172 views and 63 likes)–though I wish it hadn’t. Next year, let’s plan for “lessons in joy,” shall we?
Special shout-out to the WordPress Editors, who brought back WordPress Discover Prompts for the month of April. The one-word prompts helped me chronicle my family’s isolation at the beginning of the pandemic and also helped me connect with other bloggers–now friends. My most-viewed: my response to Day 2’s prompt, open: Open…water, heart, art
Top author interview was my 2020 two-parter with Sonja Livingston, Rochester NY native and award-winning memoirist. In addition to being a fantastic interview subject, Livingston’s latest book, The Virgin of Prince Street: Expeditions Into Devotion, was top on my list of favorite nonfiction reads, this year.
Top book review was my 2020 review of Pittsburgh-area native Margo Orlando Littell’s second novel, A Distance from Four Points. Telling a beautiful mother-daughter story, the setting of post-coal country, Pennsylvania, adds a gritty realness that makes this book a standout. Also, among the prettiest book covers of 2020, for sure!
Reading superlatives: I read more in translation in 2020 than any other blog year (there have been 4), concentrating on Moomin-famous Tove Jansson, whose literature for adults informs my current WIP, set partly in Finland. Favorite novel this year: Shiner by Amy Jo Burns. Favorite backlist novels: a three-way tie (I know, I’m pretty terrible at superlatives) between (the very different) The Heretic’s Daughter by Kathleen Kent; The Golden State by Lydia Kiesling; and The Ninth Hour by Alice McDermott, which I read with a book club. Favorite memoir: Rust: a memoir of steel and grit by ElieseColette Goldbach. As for poetry, I haven’t been reading many collections, but I have been getting good daily doses over at Parhelion. Poet Clay Matthews, especially, drew me in.
In other creative writing and editing news: I backburner-ed one novel in favor of concentrating on the new one (55K into draft 1–so I’m beginning to see the light). I’ll have exciting news from short story land early in the new year (woot!). And I’ve been trying my hand at a little essay writing, which has been a nice change. (I keep my About page up to date with my published pieces, if you’re interested.)
I was promoted to associate editor at Parhelion Literary Magazine, where I’m also the features editor. I was proud to help introduce 15 features to the world, including one by fellow blogger, Lani V. Cox, and a few I wrote myself. Not to mention three issues of the magazine, including the latest holiday issue, which has some fantastic fiction, flash, CNF, and poetry for your holiday enjoyment.
One of my fellow bloggers, over at You Can Always Start Now, is doing a #2021wordchallenge, and without really thinking about it, I lit on my word: still. Of course, there’s one of my favorite Christmas carols, “Still, still, still,” which might have been running through my head at the time. But more than that, “still” is a word of resilience. I’m still here, still writing and connecting. Which makes “still” a kind of promise. And then there’s the act of being still–of inviting silence and space for inspiration and creativity, whatever that looks like that day. I want more of that.
I wish for more of that–stillness in all its forms–for both of us, in 2021.
Meet me there.
*Header photo by Tairon Fernandez on Pexels.com