Saturday, I attended Conversations and Connections, a one-day writer’s conference organized by literary magazine, Barrelhouse, chock full of practical lessons from published literary authors, editors, and publishers. Note: I said practical. (Leave your insta-agent-three-book-deal fantasies at the door.) Really, it was like transporting myself back to my MFA program for the day–complete with the insecurities and boxed wine! All right in my world.
- Advice: The first of three panels/workshops I attended featured a memoirist, a novelist, a nonfiction writer, and a poet who all engage with the past–and endure much historical research–for their writing. Some of the most helpful advice suggested writers utilize first-person accounts to better instruct our characters in how to engage with historical fact. There was also an interesting discussion exposing the differences between creative nonfiction and fiction when making meaning of historical events. In fiction, the research must become a part of the narrative arc; in nonfiction, the journey to understand can become another part of the story, a knew way of knowing.
- Beginnings: For my second session of the day, I attended a hands-on craft workshop on developing short story openings that grab a reader’s attention. Flash Fiction author, instructor, and editor Tommy Dean led us workshoppers using four prompts for four different story openings. All the prompts started with character/setting/conflict, then added another element to complicate the story start–like subverting the setting or flipping a normal, everyday activity. I am not a prompt person, relying instead on the ideas that fly at me and then stick–usually long about 4am–but even I came away with a few solid story starts, a real win.
- Connections: MFA programs are a wealth of information on the art and craft of writing. But then what? How do we get our work out there, and just where is there? Enter the literary journal editors with hands-on experience in the world of literary publishing for a 10-minute editing session, a la speed dating. I took a flash fiction piece of mine; however, I knew going in, I wanted to use that precious time to ask advice of the editor on the other side of the desk. My question was about chapbooks (short collections of poetry or stories). But the point is I used my 10 minutes to connect with someone I could learn from. Not to leave out my fellow conference attendees, time waiting in line for the editor session was a good chance to meet local writers (shout-out to Sonora!).
- Inspiration: With the growing popularity of spoken-word and oral storytelling heard on programs like The Moth Radio Hour, today’s creative writing readings are not the cure for insomnia they once were. The featured author readings at C&C did not disappoint. Going in, I knew of the work of only one of the authors, essayist Randon Billings Noble, who I connected with in an online critique group years ago (the writing world being both huge and small). I was delighted to be introduced to the poetry of Kyle Dargan and the fiction of Ivelisse Rodriguez and of Gabino Iglesias, who read their work with such passion–the highlight of my day and very inspiring.
- Books…and more books: Want to make an author (and their small press publisher) happy and earn your good literary citizen card? Buy the book. I came away with autographed copies of Billings Noble’s essay collection, Be With Me Always; Iglesias’ horror/crime novel Coyote Songs; Matthew Ferrance’s memoir, Appalachia North; and the poetry collection, Haint, from Cleveland native (yes, we are all over) Teri Ellen Cross Davis, who sat on the panel for the third of my three sessions, focused on publishing and offering great advice on connecting with the local literary community. (These last two authors, I plan to talk about more here on the blog!)
For writers across genres, and for bloggers alike–there’s a conference made for you. This one was a good fit for me, and I’ll be back next year.
Do you conference? What are your top tips? Have you read any of these books? How was your weekend? Comment below–I always love to hear from you… ~Rebecca